about me
I am currently a Design Media Arts student at UCLA,
I love experimenting with different media to create playful experiments, design, and interactivity ( ◠‿◠ )
Art practice across creative coding, fine arts, UI/UX, video media, and curating.
I enjoy observing the subtle details in my surroundings and turning inward through introspection. I’m drawn to experimenting with the unique qualities of different media, allowing my work to engage in a dialogue with both environment and mood. My art often focuses on specific objects, landscapes, and the traces left behind after use—capturing the emotions that emerge in the space between the intimate and the tangible, or between forms that echo life itself.
UI/UX
p5.js Traditional Taiwanese puppetry 野台戲
食指、中指、大拇指，為操控，模仿傳統布袋戲偶的動態及操控方式。
This project reimagines the traditional Taiwanese 'Wild Stage' (野台戲) for the digital age. By pulling up the laptop lid, the user performs a modern ritual opening the curtain to a sacred performance space. Through real-time webcam hand-tracking, the puppeteer’s kinetic energy is translated directly into the glow of the stage. As hand movements quicken, the digital temple radiates with neon light, bridging the gap between ancient folk puppetry and contemporary motion-sensing technology.
受李天祿老師的布袋戲曲啟發，想以線上操偶的方式模擬傳統手部操控的動作，藉由P5.js 打開電腦可以即時表演，就像台灣早期的野台戲一樣，能將舞台架設在不同場景。
程式核心建立於手部座標的動態運算，藉由計算手部移動位移（Velocity）與動作強度（Intensity），即時驅動舞台背景的 HSB 色彩循環與螢光效果，然後讓舞台效果配合戲偶活動變化，來配合即時表演的敘事。
囍 Forever love wedding
immersive video game 2025
%202.png)
Each hand represent different person'a favorite dishes, chick on it will be able to read their stories.
囍Forever Love 是我以台灣傳統辦桌婚禮為發想而設計的體驗遊戲，玩家將以第一人稱視角參與這場婚禮，從傳統三合院到電子花車舞台，都強烈的表達台灣傳統的文化美學。以菜 單為主軸設計不同的故事讓觀眾閱讀與體驗台式辦桌的表演及流程。遊戲體驗也呼應著辦桌「起、承、轉、合」的精神，以飲食文化來窺探台灣社會的風情。
囍Forever Love is an immersive game, explores Taiwan's cultural heritage through the lens of pan-doh (辦桌) the traditional outdoor banquet that reveals layers of Taiwanese identity through food, ritual, and community. The game use wedding feasts as the microcosms of Taiwan's religious practices, culinary traditions, and social structures.
Through an interactive game experience, I reconstruct the simultaneous rhythms of a pan-doh wedding: chefs preparing dishes in the corner, servers navigating between tables, performers entertaining guests, and the ceremony itself unfolding. Players follow a structured menu and performance schedule, discovering how each element from specific dishes to their timing carries symbolic meaning tied to prosperity, family, and spiritual blessing.
愛之味 MP3 auto player playlist editor 2025
Using code pen to create this play list editor, collaging video and audio, and specifically focusing on Taiwanese taste of music revolution, content include rock, indie, r&b, and hip pop Taiwanese artist from early 90's till now.
User are able to rearrange the playlist and learning the cultural through image and music.
Inspiring from the childhood experiences in using invisible ink pen, and using Code pen to micmic the textures and experiences to interact with users.
I layering with different textures to create the motion in behind, like the textures of erasing, overlaying.
用 CodePen 設計了台灣傳統日曆的互動行日記海報，透過揮動鼠標能窺探上面寫下的隱形日記，模仿童年用隱形墨水筆在廣告日曆上作畫寫字的經驗，和材質。
進而用Figma Make 延伸做出用 Webcam 互動的體驗。
motion
Taiwanese puppets opera
blender 2022
Midnight song
5/05// video 2024
Having left my hometown of Beitou, Taiwan, and living on my own in the United States for over a year, I still see vivid images when I close my eyes—the temple at the corner of my street, my grandfather’s gray-blue scooter who passed away ten years ago, and the feeling of heavy rain under the northeast monsoon. It just like a eternal field inside my body and I am the fruit growing on this field, I sometimes sweet sometimes bitter, I turn into red and green, I rotten in the dirt, no matter what this filed always catch me.
Blind space
group project 2025
Arissa Lin: 3D Models/ choreographer
Dan Chou: Unity tech support
Fiona Lee: music/ 3D Models
A group experiment mix reality projects, using Kiosks to corporate choreography performance.
expire calendar
2/13// video 2022
Using sketches to capture the emotions tied to a particular time and place allows me to preserve those moments. When I look back at my sketchbook, it feels as if I am transported back to that place. After some time, I return to the surroundings to photograph and experience them again, layering in the sketches from that moment. This creates a dialogue and connection between past and present, intertwining time and space.
fine art
)(
65x65x13 cm
At first, I observed the organic patterns created by the wearing and removal of socks, along with the textures of their internal seams that locate in between the concrete and the abstract, evoking a sense of tiny life forms. By using talcum powder, the pigment layers became flaky, acquiring thickness. Leveraging the water-repellent properties of cicada thin xuan, the complete preservation of the flow, accumulation, and thickness of the pigment layers was achieved. Without any backing or varnish, the artwork undergoes abrasion, cracks, and shedding of pigment layers throughout the process of unfolding, resembling the gradual wear and tear of socks.
老公寓的留言板 key word
⑤ 〇x50 cm
I observed various marks left by keys on the apartment walls—text, abstract strokes, images, and symbols—like a message board. The areas for these “messages” are divided by staircases and floors. I made this work to advocate this phenomenon.
space
exhibition/ curating
solo exhibition at my studio, showcasing the traces of myself growing on this ground and the artwork I had been making during these time period. Invited people to feel the connection between artwork and the venue itself.
