Taiwanese puppets opera
blender 2022
Midnight song
5/05// video 2024
Having left my hometown of Beitou, Taiwan, and living on my own in the United States for over a year, I still see vivid images when I close my eyes—the temple at the corner of my street, my grandfather’s gray-blue scooter who passed away ten years ago, and the feeling of heavy rain under the northeast monsoon. It just like a eternal field inside my body and I am the fruit growing on this field, I sometimes sweet sometimes bitter, I turn into red and green, I rotten in the dirt, no matter what this filed always catch me.
Blind space
group project 2025
Arissa Lin: 3D Models/ choreographer
Dan Chou: Unity tech support
Fiona Lee: music/ 3D Models
A group experiment mix reality projects, using Kiosks to corporate choreography performance.
expire calendar
2/13// video 2022
Using sketches to capture the emotions tied to a particular time and place allows me to preserve those moments. When I look back at my sketchbook, it feels as if I am transported back to that place. After some time, I return to the surroundings to photograph and experience them again, layering in the sketches from that moment. This creates a dialogue and connection between past and present, intertwining time and space.
fine art
)(
65x65x13 cm
At first, I observed the organic patterns created by the wearing and removal of socks, along with the textures of their internal seams that locate in between the concrete and the abstract, evoking a sense of tiny life forms. By using talcum powder, the pigment layers became flaky, acquiring thickness. Leveraging the water-repellent properties of cicada thin xuan, the complete preservation of the flow, accumulation, and thickness of the pigment layers was achieved. Without any backing or varnish, the artwork undergoes abrasion, cracks, and shedding of pigment layers throughout the process of unfolding, resembling the gradual wear and tear of socks.
老公寓的留言板 key word
⑤ 〇x50 cm
I observed various marks left by keys on the apartment walls—text, abstract strokes, images, and symbols—like a message board. The areas for these “messages” are divided by staircases and floors. I made this work to advocate this phenomenon.
space
exhibition/ curating
solo exhibition at my studio, showcasing the traces of myself growing on this ground and the artwork I had been making during these time period. Invited people to feel the connection between artwork and the venue itself.
